Out of Order: June 1961

July 1962’s issue didn’t have anything in it that particularly interested me, so I took the time to go back to the June 1961 issue, which had so many nice projects in it that it was hard for me to decide which to make. (I ended up making this lacy top and later, this child’s tunic-dress.)

I loved the extremely complicated, heavily embroidered, faux-neo-Jacobean felt appliqué “birds in a tree” extravaganza featured in colour on the back cover, but it was too daunting. For one thing, of course I didn’t have the transfer or pattern for the appliqué pieces, since I would have had to have sent away for them via postal order in 1962. For another, there weren’t even any instructions in the magazine — the design was offered as either an embroidery or an appliqué project (see photo), and the instructions in the magazine only covered the embroidered version in any detail. The appliqué version just gave a list of materials, size of finished design, and the address where one could order the pattern and instructions. And when it comes right down to it, my appliqué and especially, embroidery skills are really not very well developed.

Oh yes, and while felt is easy enough to buy, the materials included tapestry wool for the embroidery, which is impossible to find in stores anywhere near me and even difficult to order online in the right weight (very fine)! Luckily, last year I happened to be in the one city I know that houses the one shop I know that actually specialises in tapestry and sells the right kind of wool, so I was able to get that, at least.

I decided to make it as a cushion, not a wall hanging. The background tree was easy enough. Technically, the white branches and leaves should have been made by cutting holes in the green tree felt and letting the (white/beige) background fabric show through, but since I chose a blue background fabric, I appliquéd them as well. It was predictably difficult to make and cut out my own patterns for the little bits of felt for the birds and leaves, and after making the first two birds, I realised it was easier to just cut the pieces freehand. Since there were no instructions to follow, I went from the photo and the instructions for the embroidered version, which obviously didn’t give much useful information.

I made two of the birds on the left first, wasn’t really happy with them, and realised why after making the first flower on the left. I liked the way the flower turned out — it’s much simpler! The birds seem overdone in comparison. I’m going to try to scale them down, if I can pick out the embroidery without leaving obvious holes in the felt.

Progress is slow and it definitely won’t be finished by the end of July 2020, but I’ll keep updating this post, so stay tuned.

May 1960: “Summer Song”

cosyThis is definitely a “cosy of unusual charm”! (Despite the ripped corner on the back cover photo.) It features appliqué and embroidery with different designs on each side and instructions to make it up into either a regular cosy to put over the teapot, or a “nest” to put the teapot into.

My version isn’t a teapot cosy of any kind, since I don’t use them or know anyone who does. Everyone needs a pretty little zippered bag or two, though, to put current projects in, or materials for crafting, or pencils or any kind of small “stuff”, so that is what this project is going to be.

I started with the “bird and strawberries” side. As always, the first question is “how to get the pattern onto the fabric and cut-out bits, since there is no existent transfer.” Remember, back in the day you had to write to Stitchcraft to get the iron-on transfer as a supplement! I used the same graph square technique previously used on the  leaf cushion  and the gay goslings. It was trickier in this case, since the only good photo was taken at an angle, but I got it to work somehow.

 

 

Then I copied the pencil sketch, cut out the individual shapes by pinning them to the felt bits, and pinned them out on the base fabric.

 

 

Stitchcraft gives pretty good instructions for the embroidery — which colours for what parts of the appliqué and how many strands. The embroidery work itself was not too difficult, using stem-stitch, Romanian stitch, loop stitches and French knots as well as a bird_straw_embbit of herringbone and the tiny straight stitches in the strawberries. Still, it was more ambitious than any embroidery I have tried up until now. It doesn’t look quite like the picture and I did take a little bit of licence, but on the whole I was pretty satisfied… except for the legs. Oh dear, oh my, oh no, the legs. I did them three times and they still look weird. Either the angle is wrong, or the thickness, or I don’t know what, but I figured doing it again would only chew up the fabric more, so it is what it is.

 

Creating the template for the second side, “Bird and Blossom” presented an extra challenge, as there was only a tiny black-and-white photograph in the magazine, where the tea cosy “nest” was open and made the design appear at an angle. I am definitely getting the hang of this copy-grid-paste-and-cut method though, because it went quite quickly and easily and I think I matched the design pretty well — or at least made a decent interpretation of it.

Again, I sewed the pieces down (noticing along the way that I had forgotten one leaf, and adding it) and then did the embroidery as outlined in the instructions. Well, that was the plan at least, but the picture was so tiny and “unreadable” that I ended up doing most of the embroidery freehand. Winging it, so to speak…

Making the finished embroidered panels up into little bags should have been the easiest step, but it was oddly frustrating and nothing worked properly the first time around. The zippers are a mess. The lining of the “Bird and Blossom” catches and the ends of both zippers are not properly sewn into the top seam. Also, the embroidery is not bad considering my level of (in)experience, but I’m not as happy with it as I could have been. So I’m still deciding whether to keep both of the bags for myself, or give one or both away. What do you think? Here are the finished objects!

BirdStrawFO

BlossomFO

April 1960: Gay Goslings

Version 2“Cheerful goslings make gay kitchen ideas” — who could resist? There are patterns for a serving glove and a felt tea cosy, neither of which I particularly needed, but the tea-cosy pattern is just about the right size for an iPad case. So this became the modern version.

As always, the pattern came from a transfer that is no longer commercially available, but since the appliqué was so simple, it wasn’t a problem. I used the good old pencil-grid-transfer method that had already worked so well with January’s leaf cushion, and it worked fine.

 

 

I had never done appliqué before, but it was really quite easy, especially with felt, so this was a great beginner project. The eyes, wings and feet are embroidered in simple satin stitch and blanket stitch. There were supposed to be yellow stem-stitch outlines around the eyes, but I tried it and it made my poor innocent gosling look kind of demonic, so I stuck with plain black dots. I made it up with a scrap of fun blue cotton print for lining (Geese… In… Space…!) and a simple closure made out of a bit of twisted yarn cord and a sparkly white button.

 

 

Everything worked great and the whole thing took only about 5 hours total to make, including sewing all the seams by hand, as I didn’t have my sewing machine on hand at the time.  Definitely a change from the never-ending John’s new pullover! Now I have the gayest, warmest, best-dressed, space-age spring fever iPad that anyone could wish for and am very happy.

goslingsfo1