January 1962: Overview

IMG_3019Happy New Year, everyone! It’s 2020 in my real world and 1962 in my blog world. Where will Stitchcraft take us?

… Not very far, fashion-wise. The “Swinging Sixties” started later in the decade; 1962 was still definitely part of the “early” 1960s aesthetic, i.e. more of a continuation of 1950s styles. At the same time, new trends are pushing fashion in new directions, and Stitchcraft is (slowly) moving with the tide.  Fine-knit wool blouses have become rare and the bulky look is definitely in. Knitted suits are loose-fitting and give a rectangular silhouette. Accessories are becoming more experimental and fun, with “turret” and loop-stitch hats and oversized knitted or crocheted bags.

So, what does January 1962 offer us? The cabled sweaters on the front (and yes, that is the word that this British magazine uses: for Stitchcraft, a “jumper” is generally more form-fitting and finely knit, while a “sweater” is bulkier and more casual) can be made in Big Ben wool for the truly bulky effect in a pullover, or in double knitting for a more streamlined cardigan. The casual “his and hers” sweaters with a diagonal “v” stitch pattern are made in double knitting wool, but oversized and loose-fitting. There’s a “big and bold” shortie dolman for teenage girls and you can knit matching, you guessed it, bulky, oversized pullovers for “the menfolk” of the family.

There’s a casual suit in Bracken Tweed wool, highlighting the new fashion for multicolour, heathery tweed yarns. It too is meant to hang loosely, and the collars, cuffs and borders are knitted in a complementary colour that picks up one of the tweed undertones. The only fine-knit garment in the issue is a lovely twin set in 4-ply Cameo crepe wool, and even it is mostly unshaped — quite unlike the twin sets of the 1950s. Children can get a nice warm play-suit in stranded colourwork.

In the early 1960s, Stitchcraft liked “year-round” embroidery themes, with a different versatile small design each month. At the end of the year, all the transfers were made available as a set to be used together on a tablecloth or larger project. 1962’s theme is “flowers” — more conservative and less original than the previous “Zodiac” theme. Still. the narcissus design is pretty and elegant. The bathroom mat, flowery “peasant design” tablecloth, Victorian tapestry and knitted doilies are pretty standard fare and the knitted clown with flags stuck in it like a voodoo doll is predictably terrifying — seriously, do not look at the photo if you have a clown phobia, it will give you nightmares.

To clear your head of that image, you can make a wall hanging — a still life of fruits and vegetables done in padded appliqué for a three-dimensional effect.

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All in all, Stitchcraft‘s 1962 starts with a whimper, not a bang. Still, there are enough nice designs that it’s hard to pick one. I love the twin set, but could also use a nice, normal cabled V-neck cardigan in double knitting, and the toddler’s playsuit is probably fun to knit. I’ll let my local yarn shop decide, i.e. see what they have in stock that says, “Use me for this project.”

 

 

December 1961: Overview

IMG_2973It’s that time of year again and December 1961’s issue has a lovely festive cover photo featuring matching father-son jumpers and a freshly-cut-down Christmas tree with holly branches. The jumpers are meant to be made in flat pieces with only the yoke worked in the round, but everything about them other than that is in the traditional Norwegian style, with a small snowflake pattern on the body and sleeves and a round yoke with tree and star patterns. I like that the jumpers’ pattern theme and colour choice are not so very specifically Christmas-y that they couldn’t be worn at any other time, or by people in our more diverse and modern times who don’t celebrate or don’t care much for Christmas and would just like a nice warm jumper with a wintery flair.

1961 Stitchcraft, of course, celebrates Christmas in a big way. Most of the projects are either glamorous party-wear for the ladies or gifts of all sizes and sorts for family and friends, while the fashionable housewife can do her Christmas shopping in a flecked-tweed cardigan suit similar to the ones in the November 1961 issue, or keep warm on casual days with bulkier sweaters. Tweed and contrasting polo-neck collars are in fashion all around.

For those fancy parties and evenings out, there’s a cocktail jumper in popcorn stitch, an angora stole, and an embroidered and sequinned evening bag. The jumper is knitted with wool and Lurex yarn held together, giving it a bit of sparkle. The stole is absolutely timeless and modern as well as easy to make (a rectangle in simple lace pattern with garter-stitch borders) and probably quite warm and cosy to wear over your strapless evening gown at the theatre. The bag is fancy, yet inexpensive to make, with a very 1960s “modern” look. Even after the party and the night out are over, you can still look glamorous in a knitted pink bedcape.

IMG_2982Children of all ages can look forward to practical, yet stylish winter garments — a knitted outdoor play-suit for toddlers in warm, bulky Big Ben, a smart fine-knit twin-set for girls of varying ages (sizes from 26-30 inch chest) and a wonderful knitted dress in a two-colour slip-stitch pattern that fits right into the tweed trend. The photo caption claims that Alison (the young model) is “warm as toast” but of course, her legs are going to be cold! She still seems pretty happy, though.IMG_2981

For me, the best, and sometimes goofiest, projects of every December Stitchcraft issue are the homewares and “novelty gifts”. This year, some are quite normal, like the snowflake-pattern table mats “for a supper party” pictured above, a cutwork tablecloth, or the tapestry stool cover in a diagonal Florentine pattern. Some are specifically winter- or Christmas-themed, such as the knitted cushion and a framed tapestry picture of angels. Two are very classic and beautiful and have nothing to do with “the season” — a typical Jacobean chairback and a very pretty tray cloth embroidered with anemones. They are all quite nice, if not particularly special.

And then there are the novelty gift ideas, or, as they are titled here, “gay mascots.”

The knitted teddy bear is nice enough, but looks quite stern with its unsmiling mouth and sharp, downward-pointing eyebrows. The snowman egg cosy… well, if you really feel the need to use an egg cosy, fine, it looks cheerful enough. Ivy-leaf pincushion, OK. The bear cub, though, looks like it’s about to attack! Something about its half-smile and the glint in its eye makes it look malicious. And the Father Christmas egg cosy… it’s hard for me to express exactly what’s wrong with it, but if I woke up on Christmas morning and found him on my breakfast place, I would expect to be getting coal in my stocking. Give me a gay mascot any day, but maybe not exactly these ones?!?

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I guess it shows just how difficult it is to embroider faces.

Our “Readers’ Pages” have the usual ads for fabric remnants and sewing machines as well as an extra pattern for a little knitted and embroidered scarf, some traditional Swedish pattern motifs and review of the exhibition of Swedish embroidery recently held at the Embroiderers’ Guild, and a comic in which Little Bobby gets a skiing lesson from a friendly snowman.

Merry Christmas to all of you who celebrate it and happy winter days to all! My December project will be to finish some of the many WIPs lying around (including the November blazer, I swear it is almost done) and use the evening-bag embroidery motifs on something fun and small like dinner napkins or a vegetable bag.

 

 

November 1961: Overview

IMG_2927November is such a grey month, so it’s nice to see that Stitchcraft‘s November 1961 issue has the theme “Colour Flair”, featuring speckled yarns and a center page in colour. The issue showcases “Bracken Tweed”, Patons’ new double knitting wool. Bracken Tweed was one of the early multicolour yarns, mixing flecks of a lighter colour in with main strands of a darker colour to achieve a tweed effect. At its debut in 1961, it was 100% wool;  with the change from ounces to grams in the late 1960s, the fiber content was changed to 60% wool and 40% acrylic.

IMG_2931The Bracken two-piece dress on the cover is one of two ideas for “Separates with the BOUTIQUE LOOK”; the other is this wonderful suit, made with regular Patons Double Knitting and familiar nubbly Rimple. Note the deliberately too-short sleeves, designed to show off your gloves and bracelets! The slip-stitch pattern gives it a firm texture for more shape.

 

Then we’ve got “Colour Flair” from Vienna (a fancifully patterned pullover in brown and yellow) and Paris (a shirt-style pullover with front buttons). Large collars are still in, but are tending towards rounder shapes, as can be seen in the Vienna pullover and the rolled collar of the Bracken outfit. Bracken is also featured in the “young-style look” pullover with a cute bobble tie, while “his colour-panel pullover” is made in Moorland Double Knitting, also a tweedy-flecked wool.

Younger girls get their own “Continental Look” with a bright blue and red outfit of skirt, cardigan and stockings. Finally, warm legs! Tights would be better, of course, but at least her poor legs aren’t bare in the November cold. Babies get bootee slippers and a lovely lace shawl. With the exception of the baby shawl, all the garments in the issue are designed for double-knitting weight wool, so that everyone can be warm and get their Christmas presents on time.

With that in mind, the colour page insert shows a “Display of Gifts to make yourself” — quick, easy-to-make toys and small household items for family and friends. The baby’s slippers are on the top shelf, along with a “Circus Jumbo” stuffed felt elephant and a cross-stitch pot holder (?) that I cannot find anywhere in this issue. There’s a crocheted tea cosy and a magnificent knitted coffee-pot cosy made to look like a pineapple, as well as two felt pot holders on the second shelf. The bottom shelf has knitted poodle and bunny toys and doll clothes (the bunny is also dress-able). Not pictured in the colour photo are a calendar cover and waste-paper bin cover in felts, with a Swedish design of trees and reindeer.

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With all of that, the regular homewares in this issue are not particularly exciting — standard chairsets in counted darning and cutwork. There is one impressive larger project: this cross-stitch rug and stool top in a Victorian design, also printed in colour.

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Finally, the back cover has a fabulous advertisement for “fabulous Pfaff” sewing machines — I love the expressions on the models’ faces! May all your homes be well-dressed.

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My project for this month will be the jacket from the checked suit.

October 1961: Baby’s cardigan

IMG_2837There’s always somebody having a baby, and I do try to make something nice for all my friends’ and colleagues’ newborns. Sometimes I don’t manage to finish something until they are out of the newborn stage, which is why it’s nice to have patterns for larger babies! This dolman-sleeve cardigan, made in the smaller size, should fit a 22 inch chest, which should be fine for this particular eight- or nine-month old.

I wasn’t and am not convinced that dolman sleeves are good for babies or anyone else (so much fabric flappage) and originally I thought about converting the pattern to set-in sleeves, but in the end I was just too lazy, so dolman sleeves it was. I guess it does have the advantage of being wide enough no matter what, and easy to get the baby’s arms into the sleeves. Given that, I’m surprised it’s so short! If it were made longer, it would fit longer without the baby getting a cold belly.

IMG_2918The little leaf motifs up the front sides are quite easy and don’t require any cabling or special fuss. You just work into one stitch 5 times on one row, then work those 5 stitches in stockinette (on the reverse-stockinette background) for a few rows before closing off the leaf with decreases. The lace strips on the sides are plain yo, k2tog alternating with k2tog tbl, yo, worked on the right-side rows.

IMG_2834I used Jamieson’s wonderful Shetland Spindrift from a multicoloured stash that I had bought from a nice person on Ravelry. Some may say that Shetland wool is too tough for babies, but it does get softer with washing and since it won’t be worn against the skin, I think it will be fine. The colour — Buttermilk — is really beautiful, a pale yellow ever-so-slightly marled with shades of pink and winter white.

If I remember correctly, the buttons came from a Christmas fair somewhere some years ago and hadn’t found the right garment yet. I only had three and the pattern calls for five, but I preferred the buttons I had to any new ones I might find.

All in all, a quick and easy project that will hopefully keep the baby warm and make its parents happy.

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October 1961: Overview

IMG_2820October 1961 gives us “Colour for autumn” with “special fashion features” and a great center spread with colour photos. “I always think October is a nice friendly month,” writes “editress” Patience Horne on the facing page, and I have to agree.

Bulky Big Ben wool and different kinds of textured ribIMG_2821 stitches play a prominent role in this month’s issue, starting with the partner-look pullover and cardigan on the front cover. Both are made in the same drop-stitch rib pattern — basically 2×2 ribbing, but you drop a stitch down 3 rows every 4th row and pick it up again in the next row to make a long vertical rib. Children get twisted-rib raglan pullovers to keep their upper bodies nice and warm while their legs freeze in tiny shorts and mini-skirts, typical for the era.

Nubbly Rimple wool may be easing out of fashion, as there’s only one pattern for it in this issue: a simple, yet elegant dress with “the new horseshoe neckline.” Other women’s garments include a cabled cardigan with colour accents and matching cap, a long-line pullover with a wide collar (still in fashion) and saddle-stitching detail, and a cardigan jacket in a wonderfully ornate Florentine stitch that involves a lot of slipping, dropping and pulling stitches up and around in two colours. The finished effect is a lot like a trellis, accentuated here by posing the model in a green skirt and holding on to a plant. Autumn colours of gold, orange, and beige prevail.

There are some additions to the “Stitchcraft Layette” for the smallest member of the family, but we’ve moved on from the bramble-stitch pattern in the last few issues to a mix of cables and flower motifs. Both cardigan and blanket are  pretty and useful, but I don’t like the huge dolman sleeves on the cardigan —  I can see a baby getting their arm stuck inside it. The bottle cover with a fuzzy knitted kitten on it is great, though! If it were made somewhat smaller or larger, I could imagine it as a phone or tablet cover.

In the homewares and accessories department, we’ve got the usual teapot cosies (how many can one household have??), a knitted donkey named “Ned”, and a pair of “mitts for a scooter fan” — with separate thumb and first finger. There are tapestry patterns for a piano stool and a chair seat, and did you honestly think we were finished with the Zodiac theme, just because all the months had had their patterns already? Of course not! Now you can order the complete chart and embroider them all one more time on a tablecloth.

The back cover illustration shows two hand-made rugs using different techniques: flat crossed stitches for a woven effect, or stitching combined with pile knotting (latch hook), which was apparently the latest thing in Sweden at the time.

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The highlight of the home art section, for me, is this sequinned, glittered appliqué wall hanging of some of Great Britain’s famous kings and queens. I don’t think I would hang it in my own home, but what a wild idea and the appliqué and embroidery work is certainly stunning. Look the detail on Queen Elizabeth (I)’s face! And they definitely found a wall with the perfect wallpaper to hang the sample piece on.

The “Readers Pages” have the usual ads, kiddy comic (Sally in Sampler Land), a preview of the next issue, and some easy counted-stitch ideas for borders on towels, pillowcases, etc. I love this ad for the latest Coats crochet booklet — it has flower-arranging lessons in addition to the crochet patterns.

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That’s all for now! My October project will be the baby cardigan (with modified sleeves) and maybe some kind of phone-cover version of the kitten bottle cover.

 

September 1961: Overview

IMG_2772“Knitting with an Autumn Theme” is the motto of this month’s Stitchcraft from September, 1961. Knowing that September is the month where many knitters take up their needles again after not wanting to handle wool in the hot summer, I would have expected a “bumper issue” with extra ideas, new fashions from Paris, more colour photographs and so on. Not the case! It has more or less the same mix of “chunky”, bulky garments and easy homewares that we saw in the summer issues.

Not that that’s bad, of course (though bulky is not andIMG_2773 probably will never be my style). The kid’s coat looks cosy and fun to wear, and the “gay sweaters for him and her” in a Norwegian-style pattern are warm, practical and unisex. I imagine the boatneck collar on an unshaped front must scratch horribly across the neck, though.

There are more men’s garments than usual: a wide-collared “sports sweater” and an elegant crossed-front pullover with twisted-rib details on the pockets and borders. The former is meant to be worn for “golf, country walks and all the week-end jobs in the garden”. I’m guessing the plants in the garden will grow better if you wear a shirt and tie under your sweater while working on those week-end jobs, as it will make them feel important and worth dressing up for. Maybe I should try it — I’m terrible with plants.

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Collars, V-necks and checked patterns are still in fashion, as seen on the comfortable, yet elegant cardigan suit and the cardigan in a familiar three-colour slip stitch pattern. Terry-towel-like Rimple is still going strong, featured here in a cardigan for larger sizes.

Babies get a bonnet and jacket in the same bramble stitch pattern as last month’s coat and July’s dress (“Part 3 of our Layette”) as well as a vest and pilch (underpants/diaper cover) and small children get machine-knit slacks to match the blazer. Hooray for warm legs, finally!

If all of that sounds underwhelming, we haven’t even gotten to the housewares… The knitting and crochet projects focus on using up scraps and “leftovers” to make either a cushion, a stuffed puppy toy or some utterly goofy egg cosies. Needlewomen (sadly, they don’t write “embroideresses”, which would be more entertaining) can make floral cutwork mats or a cushion, or a “Vintage Parade” of early-20th-century automobiles. There’s a tapestry hassock for church-goers and the last of the Zodiac-themed projects — this month’s sign is Virgo.

I almost gave up on this issue, as there just wasn’t anything that inspired me… but then there was this rug! This utterly 1960s, easy enough for me to crochet, fringed and polka-dotted rug that would look marvellous underneath my vintage, Danish Modern coffee table and, if made in the right colour, would perfectly match my embroidered cushion from the January 1960 issue. I love it! Rug wool in skeins isn’t really sold anywhere these days, but I’ve got a solution for that that I think will work.

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Stay tuned for the result… and the “special bumper issues” with “extra features in colour” that are promised for October and November.

Out of Order: Beach dress, June 1961

IMG_2566June 1961 was the issue with too many great projects in it and not enough time to make them all. My “official” project was this wonderful knitted blouse  which took up the whole month, but there was also a very intricate appliquéd and embroidered cushion that will probably become a long-term learning experience project, as well as a great beach dress for a small child. Summer is waning, but I got the beach dress done.

There’s so much I love about this design: the sea horses, the buttoned straps in the back, not to mention the ridiculous poses and strange inflated? stuffed? animals that the kids in the photos are riding. Also: illustrations in the magazine, done by hand, with bubbles.IMG_2566 2

The pattern is for a 23-24 inch chest, with an 8 1/2 inch long skirt. The child I knit it for is a little thinner, but taller, so I made the width from the pattern and added 1 1/2 inches to the skirt length and made longer straps with multiple buttonholes for different length options/growing room.

Version 2I decided to make it in cotton instead of Nylox (Patons wool-nylon mix from the 1960s) or a modern equivalent. It is always, always a problem to find non-mercerised cotton that is fine enough to give 7 stitches to the inch. Thick, mercerised dishcloth cotton is always available, mercerised crochet cotton is always available, but what passes as 4-ply or  fingering weight non-mercerised cotton is just too thick. I decided on Natura “Just Cotton” which is non-mercerised, soft, pretty and supposedly free of harmful substances (Oeko-Tex certification). The label says it gets 27 stitches in 4 inches but that is illusory. The yarn is 8-ply! I don’t know why they don’t use 4 strands, thus making it a true 4-ply fine cotton for soft, light garments. I got 6 1/2 stitches to the inch with some effort, but the resulting fabric is a bit stiffer than I would have liked.

On the first try, the first ball of turquoise ran out shortly after the bottom sea-horse band and I was worried that I wouldn’t have enough, so I started over and made the skirt less full. Of course, the skirt lost a lot of its swing and I ended up with a ball and a half left over at the end… I used some of the rest to make a little kerchief that the kid can wear on her head for extra sun protection and cuteness. Let’s just hope it stays warm enough for her to still wear it this year.

August 1961: Overview

IMG_2709“August is an issue that needs special thought and planning” writes Stitchcraft‘s “editress”, Patience Horne, in the introduction to the August issue, pointing out that it is “rather an “in-between” month for needleworkers” — often too hot to want to wear or make heavy sweaters and too late in the year for fine-knits. At the same time, reminding people that “Autumn is around the corner” can be “a little depressing” to people enjoying their late-summer holiday.

I get this! It’s one of the … hazards? “joys”? features? of living in a temperate/oceanic climate zone like the UK: August, and in fact the entire summer, can be so hot that you can’t even imagine holding wool in your hands or performing any excess movement (thus the small, easy embroidery projects in cotton thread on linen), or 10 degrees Celsius with unending rain (just ask Edinburgh, or the Bretagne), or anywhere in between.

Stitchcraft‘s answer is to offer casual, “all-year-round” knit styles that could work either on a (cold, wet…) holiday or back home in the autumn and lots of little needlepoint and embroidery projects that fit in a suitcase and can be done easily in the heat. The adult garments are thick and warm and serve as outerwear on a summer evening or Atlantic boat trip: the cardigan on the cover, “chunky” pullovers for women (one knitted, one crocheted), and a man’s pullover in “that typical man-appeal style which will make it a winner.” All are made in double knitting-weight or bulky Big Ben wool and both the knitted pullover and cover cardigan feature slip-stitch patterns which make the finished garment that much thicker and warmer. Golden or orange tones and white continue to be popular colours.

 

There are sleeker, finer-knit short-sleeve tops for girls in their “early teens” (the models seem to be young, slender adults, but OK) with high necklines and an interesting mitred collar on one. Smaller girls (or boys, I guess? this garment doesn’t seem to be heavily socially gendered, but the instructions only have options for buttons on the “girl’s side”) get a fine-knit cardigan with a border of “Scotties chatting to a friendly Cockerel.” Babies get the newest addition to their “Stitchcraft Layette” with a matinee coat and bootees in bramble-stitch to match last month’s dress.

 

The real fun is in the homewares, where there is a huge selection of projects and needlecrafts to choose from: embroidered ivy borders for tablecloths, traycloths or cushions, a tapestry footstool or “needle etching” picture of a “typical Cornish quayside”, a crocheted rug, blue rose sprigs to embroider on a cushion or a fringed lampshade, a weird crocheted and embroidered tea cosy in Turabast (which I can’t imagine would have good insulating properties), or “Fluff”, a somewhat psychotic-looking, yet endearing knitted kitten. Also, I thought the Zodiac year theme had to be finished by now but no, it’s Leo the lion’s month.

 

IMG_2723My favourite, though, is this sewing project: a head cushion that lets you recline charmingly in bed with your hair and makeup perfectly done, your satin nightie on, a book on your lap and your telephone on your ear. It’s glamorous  leisure and lifestyle advertising personified, and though they say it’s an “idea for your bazaar”, I would bet the Stitchcraft readers who made this in 1961 did not make it to sell.

IMG_2725Apropos lifestyle advertising, the early 1960s Stitchcrafts show a rise in full-page ads for Patons and Baldwins wools. That’s obviously not surprising considering the magazine was published for the Patons wool company, but the full-page ads that “tell a story” are a new trend: the late 1950s and 1960s issues up to now had little celebrity testimonials. This one caters to grandmothers and the message is clear: Knitting is not only a rewarding pastime on its own, but earns you the love and affection of the grandchildren for whom you knit. (But only if the kid likes it, and that’s only guaranteed if you use P&B wools, of course.) The 1950s and 1960s saw a huge shift in advertising methods towards a psychologically-based system, which is a huge topic that I won’t start with here, but suffice to say there will be more of these ads, and that they are representative of changing advertising styles.

That’s it for today! I have lots of unfinished projects lying around, so my August project will be something small, definitely not the Turabast tea cosy, but very probably the blue rose sprigs on a little bag, or tablet cosy, or something.

 

 

July 1961: 1st Size Dress

IMG_2661In 1961, Stitchcraft had a nice running feature they called “Stitchcraft Layette”: a set of matching baby clothes and accessories with a pattern in each issue for a few months running. The first was a light, warm dress in 3-ply Beehive Baby Wool which is “often asked for and it is really sensible for baby to wear on those in-between days when the wind is cold.” Still can’t get over how goofy that baby looks in the photo! The dress is made in stripes of stockinette stitch and a pretty “bramble stitch” lace pattern, fastens in the back and has a ribbon “belt”. There are patterns for a matinee coat and bootees on the August issue.

 

The bramble stitch itself is quite simple and effective:

  • Row 1: (RS) knit
  • Row 2: (WS) k1, *(k1, p1, k1 in the same stitch), sl1-k2tog-psso*
  • Row 3: knit
  • Row 4: k1, *sl1-k2tog-psso, (k1, p1, k1 in the same stitch),*

over a multiple of 4 plus 2 for the selvedge stitches. It makes a firm openwork lace that doesn’t roll or curl and so is good for borders and edges.

IMG_2705I made the project in Jamieson’s Shetland Spindrift, which I had a good stash of in a pretty colour called “Sand”. I generally don’t like variegated-colour wools, but if all of them were like this, I would love them. The colour accents are ever so subtle and just enough to give a light marbling effect without pools or splotches. Of course, it’s is a little too scratchy for a baby’s dress and the tension was not quite the same as in the pattern (8 stitches to the inch for the 3-ply, I get 7 or at most 7 1/2 with Spindrift depending on needles.)

So I did what I always do: changed the pattern around to make it fit the wool. Instead of a long, flared, beribboned, short-sleeved dress it became a medium-length, flared, ribbonless long-sleeved coat that fastens with buttons in the front. I adjusted stitch counts to fit the larger gauge but in the end I wish I hadn’t, as it turned out a bit smaller than expected. OK, so it will fit a smaller baby.

april1960I was happy with the result and it reminded me of another pattern I had seen somewhere… in another Stitchcraft... oh right, it was this “Sunday Best” from April 1960! Bramble and stockinette stitch: always a good choice for baby stuff.

There’s no particular baby I needed to knit this for, but somebody will always have one at some point, so I’m prepared — and happy with how this turned out.

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July 1961: Overview

IMG_2650The motto of the July 1961 issue is “Sew through the Summer” and indeed, there are a lot more sewing projects than one would normally find in Stitchcraft, summer being a time when many people do not want to hold wool in their hands or think about colder weather to come. There’s more emphasis on homewares and small, fun projects to make and use on holiday. The farm photos were taken in Hertfordshire and the boating photos in “the heart of London’s Little Venice”. Doesn’t that sound like fun? Let’s dive in!

Our cover photo, taken at the Hertfordshire farm, featuresIMG_2654 a really pretty basketweave blouse with that V-neck-plus-collar design that we saw so much of in 1960 and the last years of the 1950s, not to mention just last month on the cover of the June 1961 issue. Personally, I love this style and I’m glad it stayed in fashion for so long. Except for the basketweave, this top is very similar to the blouse I made from the July 1960 issue, and probably not the last one of its kind that we’ll be seeing.

The other summer garments for adults are “cool in 3 and 4 ply” tops for women — one of them machine knit — and for boating or cooler outdoor nights, there’s a cardigan in double-knit Rimple, a little short-sleeved jacket in bulky Big Ben, or a man’s sweater in larger sizes in Totem double knitting. The cardigan “does duty as a sweater”.

On that note, a quick quiz:

  • What is the difference between a jumper and a sweater? (Hint: this is a British magazine that uses both terms, so “jumper is British and sweater is American” cannot be the only answer.)
  • If a jumper is a pullover in a lighter weight/more dressy style, and a sweater is bulkier/warmer/more casual, why is the elegant, fine-knit short-sleeved top on page 12 a jumper (top left photo above), the elegant, fine-knit short-sleeved top on page 13 a sweater and/or shirt (top right photo above), and many elegant, fine-knit short-sleeved tops from other issues considered to be blouses?
  • On that note: Why can a cardigan double as a sweater, but not a jumper?
  • Bonus question 1: What is the difference between a cardigan and a jacket? (Okay, this one is easier.)
  • Bonus question 2: Is the blue-and-white garment on the front cover a jumper, a sweater, or a blouse?

The answer to the first two questions is, as far as I can tell, that there is no answer. “Jumpers” per Stitchcraft tend to be long- or short-sleeved, fine-knit, elegant pullovers, while “sweaters” per Stitchcraft tend to be bulkier, more casual, long-sleeved and looser-fitting pullovers, but every time you think you’ve figured out the system, they use the word you wouldn’t expect. “Blouses” tend to be, logically enough, tops (either pullover or cardigan style) that one would wear with only undergarments underneath, and put a suit jacket or other overgarment over. Following that logic, I guess the cardigan on page 21 does duty as a sweater and not a jumper because it is warmer, heavier and meant to be worn outside without a coat and with a blouse or something underneath it. Still, there is no real consistency that I can see. I would love to be able to ask “editress” Patience Horne what system she used.

For the smaller members of the family, there’s this lovely baby’s dress, featuring the most absurd baby photo ever (previewed in the June 1961 issue). I still don’t understand just why I find this baby so goofy. She is utterly cute but somehow, her face is too old for her. That combination of lots of hair and the knowing, watchful look in her eyes makes her look like someone pasted a grandmother’s head on a baby’s body. Anyway, the dress is wonderful. Older girls get a striped jumper with a collar and “gay bobbles” to tie the neck. Let’s hear it for gay bobbles! I’m not sure what today’s 6-, 8- or 10-year-olds would think of the bobble ties, but I think it’s a cute jumper.

The emphasis of this issue is on easy-to-make, no-stress homewares, starting with felt place mats and coasters appliquéd and embroidered with traditional inn signs. Make them for your Pride celebration, for they are “as gay as possible”! Fans of easy embroidery on canvas can make a cushion with purple thistle flowers in cross-stitch or bathroom accessories featuring this month’s Zodiac sign, Cancer. I don’t know about you, but I don’t want to step on a crab, even if it’s only a cross-stitch picture of one on a bathmat.

More ambitious embroiderers (I guess Stitchcraft would call them embroideresses) can make a really pretty fire screen with a modern vase-and-flower motif. I wish they had a colour photo. Even more ambitious knitters can make some beautiful lacy doily mats, and those who prefer to “sew through the Summer” can make a little laundry bag for used dusting cloths, or some easy items to sell at the “needlework stall”, church bazaar, etc. There’s a tea cosy that looks like a cottage, a beach bag with penguins, or an apron with a teakettle pocket.

I am woefully behind on projects, having not even finished my supposedly quick and easy blouse from June 1961, and with two other projects from that issue (the child’s beach dress and the embroidered-appliqué bird picture) still “in the queue”. But someone is always having a baby and that little dress is really sweet and should knit up quickly, so I’ll probably make that and try to work on the remaining June projects at the same time.

  • Bonus Answer 1: A cardigan definitely has buttons/fastenings and a knitted jacket often doesn’t. Unless it’s a suit jacket, then it does. Or whatever.
  • Bonus Answer 2: The garment on the front cover is a “cool, casual shirt-sweater”.

 

June 1961: The Soft Texture Look

IMG_2569June’s project was this lovely sleeveless top in a leafy lace pattern, touted as a “very wearable and useful jumper to make for your holiday.” It looked pretty and elegant and suitable for my summer climate, which is generally not too hot — a lightweight wool garment in lace with no sleeves should be perfect most days.

It’s written for “smaller sizes” — 32-33 or 34-35 inch bust — which would be too small for me, but my ever-loose gauge and inability to find 3-ply wool came in handy here, as it has in the past. It worked out fine for me to make the second size according to the directions, adding a few rows to the length below the armholes.

The wool I used was an absolute winner — Concept Silky Lace by katja, made of 80% merino wool and 20% silk. It’s lightweight, soft, and warm enough yet cool enough at the same time. My local wool shop had it in colours that I don’t wear, plus dark blue or a sort of salmon orange. Dark blue is always fine but I was so intrigued by the orange that I had to give it a try. I normally wear black with black with possibly dark tweedy blues or greens, so orange was a big change, but I love it! The colour looks good on me, looks good with black (important…) and it seems to even be in fashion at the moment, since as soon as I bought it I started noticing all the other people around me wearing some shade of IMG_2631orange non-vintage clothing.
The body knitted up pretty quickly in spite of the somewhat complicated lace pattern. I charted the pattern out before knitting anything — as was usual for the time, the magazine has written instructions only, and the pattern is 36 rows long. That was not only good for learning the pattern and being able to follow it more clearly, but it allowed me to notice a couple of errors in the pattern instructions that would have been very frustrating had I discovered them while knitting.

IMG_2646Then I ran into trouble with the weather, which was suddenly 34-36 degrees Centigrade with no chance of a cooler room either at work, home or on the move. My hands were too sweaty to hold wool and I had to take a break for a few days until we returned to our regularly scheduled 18-20 degrees. Then I finished the body and moved on the the neck and armhole edgings, which took forever! It’s actually an interesting design, which I haven’t seen before: You knit a strip of stockinette stitch with 3-stitch garter stitch border on one side, then fold the strip in half lengthwise like a sort of hem under the garter-stitch bit and sew it onto the neck or sleeve edge with the garter stitch facing out. It’s a like a separate hem sewn on, and the front neck strip has some cleverly thought-out short rows to make it fit the curve of the neck. But oh does it take a long time to make the strips.

Which is all a very long apology for the fact that it was not done by the end of the month, but now it is! As usual, we tried to re-create the original photo. It’s always hard to get the exact pose angle, but I did have a matching scarf and sunglasses.

I am so, so happy with the way it turned out!

June 1961: Overview

IMG_2563I love this cover. The yellow stripes on the hats, the yellow trim on the sweaters and the yellow sans-serif lettering all harmonise perfectly with the off-white garments in the center focus. Even the models’ hair colour looks like it was chosen to match the wooden wall. And we can see that typical 1960s hairdo coming into fashion, with more volume on the top and curled ends.

The rest of the photography in this issue is amazing as well. Let’s start with little Georgina in her beach dress, striking a Napoleonic pose from the back of her inflatableIMG_2566 elephant! The dress is totally cute and definitely on my project list for this month, for my friend’s kid who just turned three. Those are seahorses, in case that wasn’t clear (the ones on the front panel of the dress and matching sunsuit look weird to me — I think I’ll fill in the bodies to make the shape more clear.)  The sunsuit and dress are made in wool-nylon blend Nylox, but I’ll be making the dress in cotton.

IMG_2585(Speaking of tiny children in goofy poses, am I the only one who finds this advertisement for next month’s Stitchcraft strangely funny? What is it about this baby that comes off looking so weird? Too much hair? The quasi-adult-looking face? The indescribable expression?)

 

Back to this month’s issue, somewhat larger children can get a pretty summer dress with an embroidered yoke. It wasn’t necessary to order a sewing pattern, as the skirt of the dress was really just a square with a little cut-out (shown with scaling grid in the issue) and the yoke outline was included with the embroidery transfer. Larger children than that (age 6-10) get a warm “Continental playtop” with a big collar in double knitting.

 

 

Big collars are still fashionable for adults, too, as we can see from the women’s version of the cover sweater or the “Husky Sailing Sweater” in bulky Big Ben wool. White or off-white and yellow are trending colours. The men’s garments both have round necks — I’m guessing designers assumed men would be wearing collared shirts under their pullovers no matter what they were doing, and “layering” big collars over each other didn’t happen until the 1970s. For warmer days or more elegant occasions, there’s a short-sleeved cardigan-jumper in 4-ply and a lacy cap-sleeve top in 3-ply wool. The cap-sleeve top is yellow and the buttoned blouse has a collar, so we’re right in fashion here too.

 

 

Homewares are fantastic this month as well, starting with some really easy garden cushions (padded with plastic foam to try and make them more damp-proof). We are still  in the year of the embroidered Zodiac signs, and June brings us a Gemini-themed beach bag.

 

 

IMG_2625And then there’s this incredible birds-in-a-tree number, to be worked either in wool on linen for a firescreen or in felt appliqué with wool embroidery on linen for a picture. I’m normally not so crazy about 1950s and 1960s neo-Jacobean designs, but I love this one and definitely want to make the felt appliqué version as a cushion (with a more greeny green for the tree and not quite so much brown-orange-yellow in the appliqué work.) I imagine it might be tough without a transfer, but they gave us two very clear photographs including one in full colour, so what could go wrong?

IMG_2588Last but not least, there’s a lovely, elegant two-piece suit in nubbly Rimple double knitting wool, featured in the most magnificent photo I have ever seen in any magazine, ever. If I remember correctly, I saw it in one of those Internet lists of “best/worst/weirdest knitting pattern photos” long before I started collecting vintage patterns. It’s definitely at the top of my list and if you haven’t seen it yet, you saw it here first!

There is nothing I can possibly add to that, so I’ll just get to work on that cap-sleeve jumper… and the little girl’s beach dress … and the garden cushions… and the Jacobean appliqué… Happy June, everyone!

Fast Forward: January 1967

IMG_2554I do have a project from the May 1961 issue and will post about it soon, but it won’t be done by the end of May. In the meantime, I made a very cute coat for a friend’s child from the January 1976 issue of Stitchcraft, using the leftover yarn from the red and blue dress I finished last month.

The pattern — “Fashion for Tots” — encompasses a single-breasted coat with patch pockets and a collar in contrasting trim, and a pixie hat with the contrast colour in the ribbing. The coat has an A-line shape and raglan sleeves and is given in three sizes, to fit a 22-23, 24-25 or 26-27 inch chest measurement. I made the smallest size, for a two-year-old with a 21 1/2 inch chest, so hopefully it will fit for a while even if it doesn’t get used very much in the summer.

IMG_2556As usual, you’re supposed to make everything in separate pieces, and for once, I almost did! That is to say, I made the back, fronts and sleeves up to the raglan underarm join in pieces, then made the raglan yoke all in one piece working back and forth. Sewn raglans always look so messy (when I make them…), so it was worth it for that, and making the rest in pieces gave the sides some stabilising seams and didn’t take any longer than making the body in one piece working back and forth would have done.

The coat has a cute mitred hem at the bottom, which makes a neat join into the button bands. The collar and pockets are made separately and sewn on, and the collar has an interesting two-piece mitred construction to get the two different colours to make clean corners. The pockets are in twisted mock-cable rib.

IMG_2557I noticed that it wasn’t quite going to work out with the total amount of yarn in the proper colour scheme, so I played with the amounts of red and blue and ended up just perfectly using up the rest of the red with a few metres left over should the coat ever need repairing. Of course, that meant I couldn’t make the hat. The project was fast and fun, though, so who knows, maybe I’ll make another one when January 1967… wait, when will that be again… January 2025 ?!? comes around. If we’re all still here! Hang in there and stick around.

IMG_2537

May 1961: Overview

IMG_2509Time for the Summer Forecast! “Editress” Patience Horne writes that it is “a lovely sunny day in March” as they go to press for the May issue. It’s freezing cold and pouring rain where I am on May 2nd, so my summer forecast feelings have been literally dampened.

Still, there is a lovely assortment of projects in this month’s issue, of which the prettiest (in my opinion) is featured in colour on the back cover: this beautiful summer twin-set in   “Nylox” (a synthetic, Bri-Nylon yarn) with a diagonal stripe pattern on the sleeveless top that is repeated on the lapels of the solid-colour cardigan. I love the pairing of the elegant line with the fun pattern, which reminds me of colourful rows of paper bunting strung diagonally.

Our front cover has two more of the classic, bulky, rather plain casual pullovers made in Big Ben (super-bulky) of Rimple (nubbly double knitting). For men, there’s also a classic “tennis sweater” in white with blue stripes, made fancy with a different sort of cable pattern that I don’t think I have ever seen before. It seems quite easy, as the cables never travel far and also never actually cross (so maybe technically not a “cable” pattern, but I don’t know what else to call it — you do use a cable needle to move the stitches out of line and back again.) Our model is very happy with his sweater, and his tennis game.

Besides the twin-set and the cover pullover, women’s fashions include a little short-sleeved jacket in double knitting and a cute cap in Big Ben, plus a “longline” jumper and buttoned cardigan in 4-ply wools. I love the way the pockets are integrated into the striped ribbing of the cardigan. Wide collars, shawl collars and V-necks continue to be popular.

Stitchcraft doesn’t usually have sewing patterns, but this month they’ve teamed up with Vogue to offer a flared or full-circle skirt of the type that was ubiquitous in the later 1950s and reached the end of its popularity around this time. Readers can order the Vogue pattern via Stitchcraft in their preferred size. The flared version is embroidered with “Tyrolean motifs” which can also be embroidered onto “pretty summer aprons”. How cute! Just don’t try to play the violin the way our little Tyrolean motif fiddler is doing it, or you and the instrument will both be unhappy.

(Nota bene: some folk-fiddle traditions, as well as European medieval and Renaissance vielle/violin technique, do involve holding the instrument under the shoulder on the upper chest or upper arm instead of under the chin as in modern classical violin playing. Still different from what is going on here, though.)

School-age children get some nice, basic pullovers and cardigans in washable Nylox or fun Rimple. I don’t know what’s going on with the Humpty Dumpty giant egg doll, but this seems to be a theme with Stitchcraft — I remember seeing more than one knitted or sewn or crocheted giant Humpty Dumpty mascot pattern somewhere in my collection. Check out the cute illustrations and the little castle in the air on the top right of the painted backdrop.

Homewares tend towards the fun and easy, with a “Victorian” floral ribbon design for an embroidered cushion, tapestry cushion or tapestry handbag as well as some assorted cross-stitch or drawn-thread table mats and traycloths. Oh, and also some “his and hers” bath mats. May’s Zodiac sign is Taurus the bull, which you can cross-stitch onto a fluffy-fringed lampshade. I would love to see a picture of a Stitchcraft living room with all twelve Zodiac-themed designs in one place — the lampshade, the chairbacks, the waste-paper basket cover, et cetera (spoiler: sadly, we’re not going to get one.)

That about wraps it up for May! I would love to make the twin-set, but I have such a backlog of projects that I know I won’t have time to get it done, so my project will be the tapestry handbag. I’m very excited to work with tapestry for the first time.See you soon!

Version 3

 

Inspired by Stitchcraft: Red and Blue Dress

IMG_2498This month’s project was a little bit different than usual. Instead of making something from the April 1961 issue, which didn’t have any projects that really spoke to me, I decided to finally make something I’ve been dreaming of ever since I made this little girl’s jacket from the March 1960 issue. I loved the check pattern and the bright red and blue combination. “Wouldn’t that make a great 1960s-style minidress?” I asked myself, and the idea has been percolating in my mind since then.

I chose the same yarn and colours from the child’s jacket: Schachenmayr Bravo, which is inexpensive, machine-washable and knits up quickly. It’s even historically correct for a 1960s design, which is a nice way of saying “100% acrylic.” (Though true 60s synthetic wools were more often Bri-Nylon or Orlon.)

IMG_2497I chose a typical basic construction with front, back and sleeves all made flat and separately from the bottom up and sewn together, and made a stockinette-stitch hem with the blue yarn. The dress shape is a modified A-line: flared at the hem and narrowed to the top waist, then increased slightly at the bust. I used another knit dress as a pattern, but had to deviate from it as the stitch pattern made the fabric behave differently. The sleeves are short, simple and set-in. The front piece is essentially the same as the back, but divided in half after the armhole cast-offs and rounded a bit at the neck. The button band is plain crochet.

IMG_2494After it was all done, I realised that I liked the roll of the blue stockinette stitch hems, so I decided to just leave them as is. That means the bottom hem is a little bit narrow in the blue part where it should flare out. I may or may not fix that in time, depending on my laziness levels.

It’s soft and squishy and in spite of the synthetic yarn, doesn’t feel like plastic or make me sweat uncontrollably.  The only real disadvantage is the virtual weight it puts on. It’s got negative ease everywhere and is narrower than the very svelte-looking dress that I used as a pattern, but the sponginess and three-dimensionality of the stitch pattern makes me look much bulkier than I actually am. I thought a crocheted belt in blue would help define the waist area a bit more, but the belt is curly and not heavy enough. Maybe a 1960s metal ring-chain belt would do the trick? But it’s utterly comfortable and fun to wear, so I’m happy.

April 1961: Overview

IMG_2438April showers bring May flowers, or so they say. I’ll just say that, after the last couple of weeks of March, that umbrella on the cover of this month’s issue looks really familiar. As does the model on the right — she was featured (with a more flattering haircut)  in many issues throughout the 1950s.

April’s theme is “Holidays Ahead” and if you are planningIMG_2440 to spend your holiday in April or May on the British isles or the North Sea coast, you will definitely want to wear one of the warm, bulky wool garments from this issue. “Jenny”‘s thick, double-knit Norwegian-style jumper and hat, described as “dazzling designs to cut a dash on the beach this summer”, tells you everything you need to know about that.

The adult garments continue the warm, bulky and casual trend with a men’s “crochet-knit shirt” and “country-style cardigan” in double knitting weight. Knitting pattern stitches that look like crochet crop up every once in a while and it’s certainly an intriguing idea. That said, I don’t think this jumper particularly looks like crochet — it’s yo, k2tog on every right-side row and purl on the wrong side in staggered rows, which is just a simple lace pattern. I’m guessing they thought the word “lace” was not manly enough… The cardigan is made in three-colour slip stitch and is probably very warm and “squishy”. I like the neat, almost hidden pockets and the narrow edging band.

The women’s garments offer two more elegant, but still casual blouses, the two jumpers with fun collar details featured on the front cover and a relaxed “holiday cardigan” in double knitting. Patons “Totem” crepe wool appears in 4-ply (the blouses) or in double knitting weight (the cardigan). “Crepe” in this case meant that the wool was spun very smooth and tightly plied to minimise “fuzziness” and give raised stitch patterns a crisp, precise look. The jumpers from the cover are designed for ever-popular Rimple wool, a crinkly wool-synthetic blend intended to look like towelling fabric. Fans of truly bulky knitting can make this his-n-hers set (well, not really a “set” as they are two completely different designs, but featured together in the photo spread). Her sweater is made in fisherman’s rib stitch and if it looks that bulky on the petite, fine-boned model, I can only imagine it would make anyone else look elephantine — but good for sailing and/or April beachwear, I guess.

Housewares include the continuation of the “Zodiac” theme with an Aries motif, a traycloth in cross-stitch, a cross-stitch and pile rug, “amusing” aprons for the whole family (the father looks utterly un-amused at having to participate in the washing-up), a village townscape needle etching, a cross-stitch cushion… i.e. the usual fare. You can also make a toy “Wag” puppy for fans of the children’s comic from the last few issues, “Wendy and Wag in Wallpaper Land.” I don’t mind telling you that it had a happy ending for everyone. And with that, happy April and see you next time!

P.S. There wasn’t any project in this issue that really called to me, so I’m going to finish up a project of my own design that was inspired by this Stitchcraft children’s jacket from March 1960 that I made last year and write about that. Stay tuned…